Difference between revisions of "Waltharius170"

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|nowrap | [[Ecce]] [[locum]] [[pugnae]] [[conspexerat]] [[et]] [[numeratam]]
 
|nowrap | [[Ecce]] [[locum]] [[pugnae]] [[conspexerat]] [[et]] [[numeratam]]
 
|180
 
|180
|{{Commentary|The description of the battle that follows reworks a scene from the Aeneid (11.597ff.) while attempting some limited level of verisimilitude in its depiction of medieval warfare. The warriors fight on horseback (a practice adopted by the Franks in Carolingian times), first with arrows and javelins from afar (the practice of the Hungarian Avars), and then in hand-to-hand combat with swords (not found in the scene from the Aeneid). The use of ''ecce'' here also reminds us of the poem’s medieval context (see note on line 52).
+
|{{Commentary|The description of the battle that follows reworks a scene from the Aeneid (11.597ff.) while attempting some limited level of verisimilitude in its depiction of medieval warfare. The warriors fight on horseback (a practice adopted by the Franks in Carolingian times), first with arrows and javelins from afar (the practice of the Hungarian Avars), and then in hand-to-hand combat with swords (not found in the scene from the ''Aeneid''). The use of ''ecce'' here also reminds us of the poem’s medieval context (see note on line 52).
 
}}
 
}}
 
|{{Parallel|''Aeneid'' 11.599: ''compositi numero in turmas…'' “Marshalled by number into squadrons…”
 
|{{Parallel|''Aeneid'' 11.599: ''compositi numero in turmas…'' “Marshalled by number into squadrons…”
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|
 
|
 
|
 
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|{{Parallel|''Aeneid'' 10.407–8: ''extenditur una/ horrida per latos acies Volcania campos.'' “Vulcan’s bristling battleline spreads unbroken over the broad fields.”<br />11.601–2: ''tum late ferreus hastis/ horret ager campique armis sublimibus ardent.'' “Far and wide the field bristles with the steel of spears, and the plains are ablaze with raised weapons.”
+
|{{Parallel|''Aeneid'' 10.407–8: ''extenditur una / horrida per latos acies Volcania campos.'' “Vulcan’s bristling battleline spreads unbroken over the broad fields.”<br />11.601–2: ''tum late ferreus hastis / horret ager campique armis sublimibus ardent.'' “Far and wide the field bristles with the steel of spears, and the plains are ablaze with raised weapons.”
 
}}
 
}}
 
|-
 
|-
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|
 
|
 
|
 
|
|{{Parallel|''Aeneid'' 11.608–9: ''iamque intra iactum teli progressus uterque / substiterat: subito erumpunt clamore.'' “And now in its advance each army had halted within a spear cast of the other; with a sudden shout they dash forth.”
+
|{{Parallel|(Lines 182–83) ''Aeneid'' 11.608–9: ''iamque intra iactum teli progressus uterque / substiterat: subito erumpunt clamore.'' “And now in its advance each army had halted within a spear cast of the other; with a sudden shout they dash forth.”
 
}}
 
}}
 
|-
 
|-
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|
 
|
 
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|{{Parallel|''Aeneid'' 9.566–67. undique clamor / tollitur. “On all sides a shout goes up.”<br />2.699: ''se tollit ad auras.'' “He raises himself to the airs.”
+
|{{Parallel|(Lines 183-84) ''Aeneid'' 9.566–67. ''undique clamor / tollitur.'' “On all sides a shout goes up.”<br />2.699: ''se tollit ad auras.'' “He raises himself to the airs.”
 
}}
 
}}
 
|-
 
|-
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|185
 
|185
 
|
 
|
|{{Parallel|''Aeneid'' 11.612–13: ''continuo…'' “At once….’<br />11.610–11: ''fundunt simul undique tela / crebra nivis ritu.'' “Together from all sides they shower weapons as thick as snowflakes.”
+
|{{Parallel|''Aeneid'' 11.612–13: ''continuo…'' “At once…”<br />11.610–11: ''fundunt simul undique tela / crebra nivis ritu.'' “Together from all sides they shower weapons as thick as snowflakes.”
 
}}
 
}}
 
|-
 
|-
 
|nowrap | [[Fraxinus]] [[et]] [[cornus]] [[ludum]] [[miscebat]] [[in]] [[unum]],
 
|nowrap | [[Fraxinus]] [[et]] [[cornus]] [[ludum]] [[miscebat]] [[in]] [[unum]],
 
|
 
|
|{{Commentary|''Fraxinus et cornus'': by metonymy, the wooden spears. Ash was the most common material for spear shafts in medieval Europe. Dogwood shafts only occasionally appear in the archaeological record (Vlasatý 2023).<br />''Ludum'': recalling the ''iocis'' (line 102) of war, here and in other instances in the ''Waltharius'', battle is in some way a game. Similarly, in the Old English ''Waldere'', ''Waldere''’s skill in battle is referred to as his skill in ''sweordplega'' “sword-play” (frag. A, line 13). This association is also present in other early medieval literature (cf. Old English ''Beowulf'', lines 1073 and 2039; Old High German ''Ludwigslied'', line 49).<br />For other instances in the ''Waltharius'' of the Latin root of play, ''lud-/lus-'', see lines 541, 734, 740, 766, 782, 794, 903, 956, 1230, 1252, 1291, 1349, 1352, 1424; for the metaphor of athletic games in the use of ''certamen/certare'', see. lines 611, 743, 908, 1003, 1301, 1424; ''athleta'', see lines 962, 1046, 1411; ''agon'', see line 1025. For further scholarship on play in the ''Waltharius'', see Ziolkowski 2001.
+
|{{Commentary|''Fraxinus et cornus'': by metonymy, the wooden spears. Ash was the most common material for spear shafts in medieval Europe. Dogwood shafts only occasionally appear in the archaeological record (Vlasatý 2023).<br />''Ludum'': recalling the ''iocis'' (line 102) of war, here and in other instances in the ''Waltharius'', battle is in some way a game. Similarly, in the Old English ''Waldere'', ''Waldere''’s skill in battle is referred to as his skill in ''sweordplega'' “sword-play” (frag. A, line 13). This association is also present in other early medieval literature (cf. Old English ''Beowulf'', lines 1073 and 2039; Old High German ''Ludwigslied'', line 49).<br />For other instances in the ''Waltharius'' of the Latin root of play, ''lud-/lus-'', see lines 541, 734, 740, 766, 782, 794, 903, 956, 1230, 1252, 1291, 1349, 1352, 1424; for the metaphor of athletic games in the use of ''certamen/certare'', see lines 611, 743, 908, 1003, 1301, 1424; ''athleta'', see lines 962, 1046, 1411; ''agon'', see line 1025. For further scholarship on play in the ''Waltharius'', see Ziolkowski 2001.
 
}}
 
}}
 
|{{Parallel|''Aeneid'' 9.698: ''volat Itala cornus.'' “The Italian dogwood shaft flies.”<br />12.267: ''sonitum dat stridula cornus.'' “The whistling dogwood shaft sings.”<br />12.714: ''fors et virtus miscentur in unum.'' “Chance and valour blend in one.”<br />''Waldere'' frag. A, line 13: ''sweordplega.'' “sword-play.”
 
|{{Parallel|''Aeneid'' 9.698: ''volat Itala cornus.'' “The Italian dogwood shaft flies.”<br />12.267: ''sonitum dat stridula cornus.'' “The whistling dogwood shaft sings.”<br />12.714: ''fors et virtus miscentur in unum.'' “Chance and valour blend in one.”<br />''Waldere'' frag. A, line 13: ''sweordplega.'' “sword-play.”
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|nowrap | [[Ac]] [[veluti]] [[boreae]] [[sub]] [[tempore]] [[nix]] [[glomerata]]
 
|nowrap | [[Ac]] [[veluti]] [[boreae]] [[sub]] [[tempore]] [[nix]] [[glomerata]]
 
|
 
|
|{{Commentary|''Veluti … haud aliter'': language of epic simile. The image of battle as a storm is common in Greek and Latin poetry from the time of Homer (cf. ''Iliad'' 12.156–158, 278; Aeneid 12.283; Ovid, ''Met.'' 5.157; ''Psychomachia'' 129, 133–134, 173; further examples at Althof 1905, 67), including in Aeneid 11.610–611, which the ''Waltharius'' reworks here, as well as in Germanic poetry (cf. ''Beowulf'' 3117; ''Kudrun'' 503, 861, 1417, 1455; ''Biterolf und Dietlieb'' 10191).
+
|{{Commentary|(Lines 188–89) ''Veluti … haud aliter'': language of epic simile. The image of battle as a storm is common in Greek and Latin poetry from the time of Homer (cf. ''Iliad'' 12.156–158, 278; ''Aeneid'' 12.283; Ovid, ''Met.'' 5.157; ''Psychomachia'' 129, 133–134, 173; further examples at Althof 1905, 67), including in Aeneid 11.610–611, which the ''Waltharius'' reworks here, as well as in Germanic poetry (cf. ''Beowulf'' 3117; ''Kudrun'' 503, 861, 1417, 1455; ''Biterolf und Dietlieb'' 10191).
 
}}
 
}}
 
|-
 
|-
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|
 
|
 
|
 
|
|{{Parallel|''Aeneid'' 11.612–13: ''adversis Tyrrhenus et acer Aconteus / conixi incurrunt hastis primique ruinam / dant sonitu ingenti perfractaque quadripedantum / pectora pectoribus rumpunt; excussus Aconteus fulminis in morem… praecipitat longe.'' “At once Tyrrhenus and fierce Aconteus charge each other full force with spears, and are first to go down with a mighty crash, breaking and shattering their horses as they collide breast to breast. Flung off like a thunderbolt, Aconteus is hurled headlong far away.”<br />10.360–61: ''aciesque Latinae / concurrunt.'' “The ranks of Latium clash.”
+
|{{Parallel|(Lines 193–94) ''Aeneid'' 11.612–17: ''adversis Tyrrhenus et acer Aconteus / conixi incurrunt hastis primique ruinam / dant sonitu ingenti perfractaque quadripedantum / pectora pectoribus rumpunt; excussus Aconteus fulminis in morem… praecipitat longe.'' “At once Tyrrhenus and fierce Aconteus charge each other full force with spears, and are first to go down with a mighty crash, breaking and shattering their horses as they collide breast to breast. Flung off like a thunderbolt, Aconteus is hurled headlong far away.”<br />10.360–61: ''aciesque Latinae / concurrunt.'' “The ranks of Latium clash.”
 
}}
 
}}
 
|-
 
|-
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|
 
|
 
|
 
|
|{{Parallel|''Aeneid'' 11.762: ''qua se cumque furens medio tulit agmine virgo…'' “Wherever the maiden rides among the ranks in her fury…”
+
|{{Parallel|(Lines 196–97) ''Aeneid'' 11.762: ''qua se cumque furens medio tulit agmine virgo…'' “Wherever the maiden rides among the ranks in her fury…”
 
}}
 
}}
 
|-
 
|-
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|200
 
|200
 
|
 
|
|{{Parallel|''Aeneid'' 3.563: ''laevam cuncta cohors … petivit.'' “Leftward all our force plied.”
+
|{{Parallel|(Lines 200–201) ''Aeneid'' 3.563: ''laevam cuncta cohors … petivit.'' “Leftward all our force plied.”
 
}}
 
}}
 
|-
 
|-
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|
 
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|{{Parallel|''Aeneid'' 9.686: ''agminibus totis qut versi terga dedere.'' “With all their columns [they] are routed and turn to flight.”
+
|{{Parallel|(Lines 201–2) ''Aeneid'' 9.686: ''agminibus totis qut versi terga dedere.'' “With all their columns [they] are routed and turn to flight.”
 
}}
 
}}
 
|-
 
|-
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|{{Commentary|''Versis scutis'': they put their shields on their backs to protect them as they flee.
 
|{{Commentary|''Versis scutis'': they put their shields on their backs to protect them as they flee.
 
}}
 
}}
|{{Parallel|''Aeneid'' 11.618-619: ''versique Latini/ reiciunt parmas.'' “The routed Latins cast their shields behind them.”<br />11.623: ''hi fugiunt penitusque datis referuntur habenis'' “The others flee, and retreat far off with loosened rein.”<br />''Georgics'' 2.364: ''palmes agit laxis per purum immisus habenis…'' “The shoot, speeding through the void with loosened reins…”<br />''Aeneid'' 1.62-63: ''qui foedere certo/ et premere et laxas sciret dare iussus habenas.'' “Who, under fixed covenant, should be skilled to tighten and loosen the reins at command.”
+
|{{Parallel|''Aeneid'' 11.618–619: ''versique Latini / reiciunt parmas.'' “The routed Latins cast their shields behind them.”<br />11.623: ''hi fugiunt penitusque datis referuntur habenis'' “The others flee, and retreat far off with loosened rein.”<br />''Georgics'' 2.364: ''palmes agit laxis per purum immisus habenis…'' “The shoot, speeding through the void with loosened reins…”<br />''Aeneid'' 1.62-63: ''qui foedere certo/ et premere et laxas sciret dare iussus habenas.'' “Who, under fixed covenant, should be skilled to tighten and loosen the reins at command.”
 
}}
 
}}
 
|-
 
|-
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|
 
|
 
|
|{{Parallel|''Aeneid'' 12.902: ''altior insurgens…'' “Rising to his height…”<br />Prudentius, ''Psychomachia'' 31: ''altior insurgens.''
+
|{{Parallel|''Aeneid'' 12.902; Prudentius, ''Psychomachia'' 31: ''altior insurgens…'' “Rising to his height…”
 
}}
 
}}
 
|-
 
|-
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|nowrap | [[Ac]] [[primus]] [[frontem]] [[festa]] [[cum]] [[fronde]] [[revinxit]],
 
|nowrap | [[Ac]] [[primus]] [[frontem]] [[festa]] [[cum]] [[fronde]] [[revinxit]],
 
|
 
|
|{{Commentary|''Frontem festa cum fronde'': alliteration
+
|{{Commentary|''Frontem festa cum fronde'': alliteration<br /><br />(Lines 209–210) ''Lauro'': The poem depicts Waltharius’ victory in a typically Roman fashion. A laurel wreath is more likely a classical reference than a literal description of the homecoming, since the bay laurel, from which laurel wreaths are typically made, is a Mediterranean plant, and it would have a hard time surviving in northern Europe.
 +
}}
 +
|{{Parallel|(Lines 209–210) ''Aeneid'' 4.459: velleribus niveis et festa fronde revinctum… “Wreathing it with snowy fleeces and festal foliage…”<br />5.71–73: ''“…cingite tempora ramis.”/ Sic fatus velat materna tempora myrto. / hoc Helymus facit, hoc aevi maturus Acestes / hoc puer Ascanius, sequitur quos cetera pubes.'' “‘…Wreathe your brows with leaves.’ So speaking, he crowns his brows with his mother’s myrtle. Thus does Helymus, thus Acestes, ripe of years, thus the boy Ascanius, the rest of the youth following.”<br />''Aeneid'' 5.539: ''cingit viridanti tempora lauro.'' “He binds his brows with green laurel.”<br />7.614: ''sequitur tum cetera pubes.'' “Then the rest of the warriors take up the cry.”<br /> ''Eclogue'' 8.12–13: ''hanc sine tempora circum / inter victricis hederam tibi serpere lauros.'' “Grant that, amid the conqueror’s laurels, this ivy may creep about your brows.”
 
}}
 
}}
 
|-
 
|-

Latest revision as of 20:30, 28 July 2026

Walther leads the army of the Huns to victory in battle (170–214)

Venerat interea satrapae certissima fama 170  Satrapae: see note on line 43.

 

Quandam, quae nuper superata, resistere gentem  Quandam … gentem: since the sudden rebellion is merely a plot device, the precise identity of the people is unimportant.

 

bellum Hunis confestim inferre paratam.
Tunc ad Waltharium convertitur actio rerum.  Actio rerum: “the leadership of the expedition.”

 

Qui mox militiam percensuit ordine totam
Et bellatorum confortat corda suorum, 175  Confortat = confirmat

 

 2 Sam. 11.25 Vulg.: conforta bellatores. “Encourage thy warriors.”
Gen. 18.5 Vulg.: confortate cor vestrum. “Strengthen ye your heart.”

 

Hortans praeteritos semper memorare triumphos
Promittensque istos solita virtute tyrannos  Tyrannos = rebelles (here, cf. line 1384). Tyrannus has a wide semantic range (Neidorf 2025, note on line 886).
Solita virtute: reference to the description in the Psychomachia of Patientia (Suffering), who explicitly does not win battles by fighting (see Psychomachia 155–159)

 

 Prudentius, Psychomachia 155–56: “vicimus,” inquit, / “exultans Vitium solita virtute.” “‘We have overcome,’ he said, ‘a proud Vice with our wonted virtue.’”
Aeneid 11.415: quamquam o si solitae quicquam virtutis adesset! “If only we had any of our wonted valour!”

 

Sternere et externis terrorem imponere terris.
Nec mora, consurgit sequiturque exercitus omnis.  Josh. 8.3 Vulg.: surrexit Iosue et omnis exercitus bellatorum cum eo. “And Josue arose, and all the army of the fighting men with him.”
Aeneid 2.415: exercitus omnis… “The whole host…”
11.597–99: At manus interea muris Troiana propinquat, / Etruscique duces equitumque exercitus omnis / compositi numero in turmas. “But meanwhile the Trojan band draws near the walls, with the Etruscan chiefs and all their mounted array, marshalled by number into squadrons.”

 

Ecce locum pugnae conspexerat et numeratam 180  The description of the battle that follows reworks a scene from the Aeneid (11.597ff.) while attempting some limited level of verisimilitude in its depiction of medieval warfare. The warriors fight on horseback (a practice adopted by the Franks in Carolingian times), first with arrows and javelins from afar (the practice of the Hungarian Avars), and then in hand-to-hand combat with swords (not found in the scene from the Aeneid). The use of ecce here also reminds us of the poem’s medieval context (see note on line 52).

 

 Aeneid 11.599: compositi numero in turmas… “Marshalled by number into squadrons…”

 

Per latos aciem campos digessit et agros.  Aeneid 10.407–8: extenditur una / horrida per latos acies Volcania campos. “Vulcan’s bristling battleline spreads unbroken over the broad fields.”
11.601–2: tum late ferreus hastis / horret ager campique armis sublimibus ardent. “Far and wide the field bristles with the steel of spears, and the plains are ablaze with raised weapons.”

 

Iamque infra iactum teli congressus uterque  (Lines 182–83) Aeneid 11.608–9: iamque intra iactum teli progressus uterque / substiterat: subito erumpunt clamore. “And now in its advance each army had halted within a spear cast of the other; with a sudden shout they dash forth.”

 

Constiterat cuneus: tunc undique clamor ad auras  (Lines 183-84) Aeneid 9.566–67. undique clamor / tollitur. “On all sides a shout goes up.”
2.699: se tollit ad auras. “He raises himself to the airs.”

 

Tollitur, horrendam confundunt classica vocem,  Aeneid 7.637: classica iamque sonant. “And now the trumpet sounds.”
9.731–32: arma / horrendum sonuere. “His armour rang terribly.”

 

Continuoque hastae volitant hinc indeque densae. 185  Aeneid 11.612–13: continuo… “At once…”
11.610–11: fundunt simul undique tela / crebra nivis ritu. “Together from all sides they shower weapons as thick as snowflakes.”

 

Fraxinus et cornus ludum miscebat in unum,  Fraxinus et cornus: by metonymy, the wooden spears. Ash was the most common material for spear shafts in medieval Europe. Dogwood shafts only occasionally appear in the archaeological record (Vlasatý 2023).
Ludum: recalling the iocis (line 102) of war, here and in other instances in the Waltharius, battle is in some way a game. Similarly, in the Old English Waldere, Waldere’s skill in battle is referred to as his skill in sweordplega “sword-play” (frag. A, line 13). This association is also present in other early medieval literature (cf. Old English Beowulf, lines 1073 and 2039; Old High German Ludwigslied, line 49).
For other instances in the Waltharius of the Latin root of play, lud-/lus-, see lines 541, 734, 740, 766, 782, 794, 903, 956, 1230, 1252, 1291, 1349, 1352, 1424; for the metaphor of athletic games in the use of certamen/certare, see lines 611, 743, 908, 1003, 1301, 1424; athleta, see lines 962, 1046, 1411; agon, see line 1025. For further scholarship on play in the Waltharius, see Ziolkowski 2001.

 

 Aeneid 9.698: volat Itala cornus. “The Italian dogwood shaft flies.”
12.267: sonitum dat stridula cornus. “The whistling dogwood shaft sings.”
12.714: fors et virtus miscentur in unum. “Chance and valour blend in one.”
Waldere frag. A, line 13: sweordplega. “sword-play.”

 

Fulminis inque modum cuspis vibrata micabat.  In modum = instar

 

 Aeneid 11.615–16: excussus Aconteus / fulminis in morem…praecipitat longe. “Flung off like a thunderbolt, Aconteus is hurled headlong far away.”

 

Ac veluti boreae sub tempore nix glomerata  (Lines 188–89) Veluti … haud aliter: language of epic simile. The image of battle as a storm is common in Greek and Latin poetry from the time of Homer (cf. Iliad 12.156–158, 278; Aeneid 12.283; Ovid, Met. 5.157; Psychomachia 129, 133–134, 173; further examples at Althof 1905, 67), including in Aeneid 11.610–611, which the Waltharius reworks here, as well as in Germanic poetry (cf. Beowulf 3117; Kudrun 503, 861, 1417, 1455; Biterolf und Dietlieb 10191).

 

Spargitur, haud aliter saevas iecere sagittas.
Postremum cunctis utroque ex agmine pilis 190
Absumptis manus ad mucronem vertitur omnis:  Prudentius Psychomachia 137: vertitur ad capulum manus. “Her ruthless hand turned to her sword-hilt.”

 

Fulmineos promunt enses clipeosque revolvunt,  Clipeosque revolvunt: variously explained. The warriors are either throwing back their shields or taking them up again having already done so, in preparation for combat (cf. restaurant in the following line).

 

 Aeneid 4.579–80: vaginaque eripit ensem / fulmineum. “He snatches his flashing sword from its sheath.”
9.441–42: instat non setius ac rotat ensem / fulmineum. “Onward none the less he presses, whirling his lightning blade.”

 

Concurrunt acies demum pugnamque restaurant.  (Lines 193–94) Aeneid 11.612–17: adversis Tyrrhenus et acer Aconteus / conixi incurrunt hastis primique ruinam / dant sonitu ingenti perfractaque quadripedantum / pectora pectoribus rumpunt; excussus Aconteus fulminis in morem… praecipitat longe. “At once Tyrrhenus and fierce Aconteus charge each other full force with spears, and are first to go down with a mighty crash, breaking and shattering their horses as they collide breast to breast. Flung off like a thunderbolt, Aconteus is hurled headlong far away.”
10.360–61: aciesque Latinae / concurrunt. “The ranks of Latium clash.”

 

Pectoribus partim rumpuntur pectora equorum,  The thought of this line parallels that of the next: some of both the horses and the men were killed merely by being crushed against one another while armed in the stampede of battle.

 

Sternitur et quaedam pars duro umbone virorum. 195  Prudentius, Psychomachia 255–56: hostem humilem cupiens inpulsu umbonis equini / sternere… “Eager to upset her lowly enemy with the shock of her horse-hide shield…”

 

Waltharius tamen in medio furit agmine bello,  (Lines 196–97) Aeneid 11.762: qua se cumque furens medio tulit agmine virgo… “Wherever the maiden rides among the ranks in her fury…”

 

Obvia quaeque metens armis ac limite pergens.  Aeneid 10.513–14: proxima quaeque metit gladio latumque per agmen / ardens limitem agit ferro… “With the sword he mows down all the nearest ranks, and fiercely drives a broad path through the host with the steel…”

 

Hunc ubi conspiciunt hostes tantas dare strages,  Aeneid 9.783–84: unus homo et vestris, o cives, undique saeptus / aggeribus tantas strages… ediderit? “My countrymen, shall one man, hemmed in on every side by your ramparts, deal such carnage?”
Georgics 3.246–47: nec funera vulgo / tam multa informes ursi stragemque dedere. “Never does the shapeless bear spread death and havoc so widely.”

 

Ac si praesentem metuebant cernere mortem,  Ac si: qualifying praesentem, not beginning a clause.

 

 Aeneid 1.91: praesentemque viris intentant omnia mortem. “All forebodes the sailors’ instant death.”

 

Et quemcunque locum, seu dextram sive sinistram, 200  (Lines 200–201) Aeneid 3.563: laevam cuncta cohors … petivit. “Leftward all our force plied.”

 

Waltharius peteret, cuncti mox terga dederunt  (Lines 201–2) Aeneid 9.686: agminibus totis qut versi terga dedere. “With all their columns [they] are routed and turn to flight.”

 

Et versis scutis laxisque feruntur habenis.  Versis scutis: they put their shields on their backs to protect them as they flee.

 

 Aeneid 11.618–619: versique Latini / reiciunt parmas. “The routed Latins cast their shields behind them.”
11.623: hi fugiunt penitusque datis referuntur habenis “The others flee, and retreat far off with loosened rein.”
Georgics 2.364: palmes agit laxis per purum immisus habenis… “The shoot, speeding through the void with loosened reins…”
Aeneid 1.62-63: qui foedere certo/ et premere et laxas sciret dare iussus habenas. “Who, under fixed covenant, should be skilled to tighten and loosen the reins at command.”

 

Tunc imitata ducem gens maxima Pannoniarum  Aeneid 11.758–59: ducis exemplum eventumque secuti / Maeonidae incurrunt. “Following their chief’s example and success, Maeonia’s sons attack.”

 

Saevior insurgit caedemque audacior auget,  Aeneid 12.902; Prudentius, Psychomachia 31: altior insurgens… “Rising to his height…”

 

Deicit obstantes, fugientes proterit usque, 205  Prudentius, Psychomachia Praefatio 28: pellit fugatos, sauciatos proterit. “[He] drives off in flight those proud kings … or cuts them down.”

 

Dum caperet plenum belli sub sorte triumphum.  Belli sub sorte: roughly “in the outcome of the battle”

 

 Prudentius, Psychomachia 474: belli sub sorte… “By the luck of war…”

 

Tum super occisos ruit et spoliaverat omnes.
Et tandem ductor recavo vocat agmina cornu  Aeneid 7.513–14: cornuque recurvo / Tartaream intendit vocem. “On the twisted horn [she] strains her hellish voice.”
3.239: dat signum specula Misenus ab alta / aere cavo. “Misenus on his hollow brass gave the signal from his watch aloft.”
Prudentius, Psychomachia 422: recavo misceret labra palato. “[She] beats the lips into the arched mouth.”
Aeneid 7.508: vocat agmina Tyrrhus. “Tyrrhus summons his bands.”

 

Ac primus frontem festa cum fronde revinxit,  Frontem festa cum fronde: alliteration

(Lines 209–210) Lauro: The poem depicts Waltharius’ victory in a typically Roman fashion. A laurel wreath is more likely a classical reference than a literal description of the homecoming, since the bay laurel, from which laurel wreaths are typically made, is a Mediterranean plant, and it would have a hard time surviving in northern Europe.

 

 (Lines 209–210) Aeneid 4.459: velleribus niveis et festa fronde revinctum… “Wreathing it with snowy fleeces and festal foliage…”
5.71–73: “…cingite tempora ramis.”/ Sic fatus velat materna tempora myrto. / hoc Helymus facit, hoc aevi maturus Acestes / hoc puer Ascanius, sequitur quos cetera pubes. “‘…Wreathe your brows with leaves.’ So speaking, he crowns his brows with his mother’s myrtle. Thus does Helymus, thus Acestes, ripe of years, thus the boy Ascanius, the rest of the youth following.”
Aeneid 5.539: cingit viridanti tempora lauro. “He binds his brows with green laurel.”
7.614: sequitur tum cetera pubes. “Then the rest of the warriors take up the cry.”
Eclogue 8.12–13: hanc sine tempora circum / inter victricis hederam tibi serpere lauros. “Grant that, amid the conqueror’s laurels, this ivy may creep about your brows.”

 

Victrici lauro cingens sua timpora vulgo, 210  Timpora = tempora

 

Post hunc signiferi, sequitur quos cetera pubes.
Iamque triumphali redierunt stemmate compti
Et patriam ingressi propria se quisque locavit
Sede, sed ad solium mox Waltharius properavit.
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